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Five disciplines, one standard: images that serve the story and survive the grade.
Crafting the visual grammar of stories. Focusing on lighting, camera movement, and composition that speak directly to the screenplay's emotional core. From festival shorts to features, I build a look with the director in prep and protect it through every setup. Includes lookbook development, lens testing and on-set DIT.
High-end commercial cinematography that aligns with brand identity while maintaining a raw cinematic aesthetic. Board-to-delivery thinking: treatments, previz-friendly coverage and clean plates for post. Translating marketing briefs into powerful, memorable motion.
Visual rhythm, bold color palettes, and experimental lighting. One-day or multi-day shoots built around playback, programmed lighting and camera choreography that moves with the track. Creating high-concept visual loops and dynamic camera motion that elevate the musical experience.
A raw, observant approach to cinematic documentary. Small footprint, long lenses, available light — capturing intimate human moments with natural light, minimal crew footprint, and real emotional weight. Sensitive-subject experience and full discretion guaranteed.
Establishing the final look in the grading suite. HDR and SDR deliverables, show LUTs built in prep, and remote review sessions. Calibrating contrast, color weight, and digital film grain to evoke exactly the right atmosphere across every frame.
A call about the story, references and realities — schedule, budget, deliverables. You get an honest take on what's achievable.
Treatment, lookbook, lens tests and a lighting plan. Every department sees the images before we ever roll.
Prepared days, protected performances, coverage that cuts. Dailies reviewed together so there are no surprises.
Supervised color sessions, versioned deliverables for every screen, and masters archived for the future.
